%title: Who Is This %composer: William Billings \version "2.12.0" \include "english.ly" \include "../mrlUtil.ly" \include "../mrlbillingsdefs.ly" #(define GlobalStaffSize 17.5) #(set-global-staff-size GlobalStaffSize) #(ly:set-option 'point-and-click #f) \paper{ myStaffSize = #GlobalStaffSize #(define fonts (make-pango-font-tree "Baskerville1757" "Sans" "Mono" (/ myStaffSize 20))) % I think this looks better system-count = #26 } global = { \autoBeamOff \set Staff.printKeyCancellation = ##f \override Staff.VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3) \key e \major \tsAllegro s1*58 \tsTwoFour s2*9 \tsThreeTwo \key e \minor s1.*19 \tsAllegro s1*2 \tsThreeTwo s1.*9 \tsAllegro s1*4 \tsThreeTwo s1.*4 \tsAllegro s1*29 \tsThreeTwo s1.*2 \tsAllegro s1*3 \tsLargo \key e \major s1*9 \tsSixFour s1.*29 \tsLargo \break \override Score.RehearsalMark #'extra-offset = #'(0 . 2) \override Score.RehearsalMark #'extra-spacing-width = #'(+inf.0 . -inf.0) \mark \markup { * } \repeat volta 2 { s2 % where the repeat should maybe go s2 s1*10 } } commonLyrics = \lyricmode { Who is this? Who is this that co -- meth from E -- dom, with dy’d __ gar -- ments from Boz -- rah? Who \extSTB is \extS he \extA and what is his name? \tagS { His name shall be call’d __ Won -- der -- ful, __ Won -- der -- ful, Coun -- sel -- lor, the migh -- ty, migh -- ty God, the e -- ver -- las -- ting Fa -- ther, the Prince __ of Peace, the great I Am, the First and Last, the __ Al -- pha and O -- me -- ga, Shi -- loh, God with __ us, Shi -- loh, E -- ma -- nu -- el, the Lord __ our Righ -- teous -- ness, the Lord our __ Righ -- teous -- ness, Prince of Peace, the Seed of the Wo -- man, Ser -- pent Brui -- ser, Shi -- loh, Friend to Man, Shi -- loh, Lamb of God, } \tagA { His name shall be call -- ed Won -- der -- ful, Coun -- sel -- lor, the migh -- ty, migh -- ty God. __ His name shall be call -- ed __ Won -- der -- ful, Coun -- sel -- lor, Shi -- loh, E -- ma -- nu -- el, God with us, God with us, __ Shi -- loh, E -- ma -- nu -- el, God with us, __ Shi -- loh, E -- ma -- nu -- el, the Lord our Righ -- teous -- ness, the Seed of the Wo -- man, Ser -- pent Brui -- ser, Shi -- loh, E -- ma -- nu -- el, Prince of Peace, __ } \tagT { His name shall be call -- ed Won -- der -- ful, Coun -- sel -- lor, the migh -- ty, migh -- ty, migh -- ty God __ the e -- ver -- las -- ting Fa -- ther, the Prince of Peace, the great I Am, the First and Last, the Al -- pha and O -- me -- ga, Shi -- loh, E -- ma -- nu -- el, God with us, God with us, the Lord our Righ -- teous -- ness, the Seed of the Wo -- man, Ser -- pent Brui -- ser, Shi -- loh, E -- ma -- nu -- el, Son of Man, Shi -- loh, Son of God, Shi -- loh, } \tagB { His name shall be call -- ed Won -- der -- ful, Won -- der -- ful, Coun -- sel -- lor, the migh -- ty, migh -- ty, migh -- ty God, __ the e -- ver -- las -- ting Fa -- ther, the Prince of Peace, __ the great I Am, the First and Last, the Al -- pha and O -- me -- ga, Shi -- loh, E -- ma -- nu -- el, __ the Lord our Righ -- teous -- ness, the Lord our __ Righ -- teous -- ness, Prince of Peace, __ } e -- qual with the Fa -- ther, Grace and Truth, Grace and Truth. %2/4 \tagT { Mer -- cy and truth are met __ to -- ge -- ther. } \tagS { Righ -- teous -- ness and peace have kissed __ each o -- ther. } %3/2 Now is the hour of dark -- ness \extSB come And Je -- sus waits \extT to \extT hear his doom. The Ro -- man speaks, the \extA Jews re -- ply, “His blood be on __ us, let __ him die, die, die, die. His blood be \extST on \extT us, \extST let him die, die, die, die, \extSTB Let him die.” Death and de -- spair, what do I see? The Lamb of God hang on a tree, With ru -- sty nails his bo -- dy tore, and bloo -- dy sweat from e -- v’ry pore runs plen -- ti -- ous down, runs plen -- ti -- ous down, runs plen -- ti -- ous down, down, down, down. Hark, how he groans, his bit -- ter cries the \extAT rocks have \extSTB split, but see, he dies, dies, \extS dies, but \extSAT see he dies. Now is the hour of dark -- ness past. Christ has as -- \extB sum’d his reig -- ning power. Be -- \extST hold the \extTB great Ac -- cu -- ser cast down from the skies to rise no more. Old A -- dam the first, ex -- ci -- ted by Lust, and Eve the se -- du -- cer en -- tai -- led the curse, but A -- dam the se -- cond our Sa -- vior and King has made the A -- tone -- ment and freed us from sin, and freed us from sin, has made the A -- tone -- ment and freed us from sin. \tagS { O __ that men would praise the Lord. praise the Lord, praise the Lord, praise the Lord, __ praise the Lord, praise him for __ cre -- a -- ting pow’r, praise him for __ re -- dee -- ming Love. } \tagA { O __ that men would praise the Lord, praise the Lord. O that men would praise the Lord. Praise him for __ cre -- a -- ting pow’r, __ praise the Lord, praise him for __ re -- dee -- ming Love. } \tagT { Praise the Lord. O __ that men would praise the Lord, praise the Lord, praise the Lord. Praise him for __ cre -- a -- ting pow’r, __ praise the Lord, praise him for __ re -- dee -- ming Love. } \tagB { O __ that men would praise the Lord, O __ that men would praise the Lord. __ Praise him for __ cre -- a -- ting pow’r, __ praise the Lord, praise him for __ re -- dee -- ming Love. __ Praise the Lord. } Praise __ the Lord. __ Ha -- le -- lu -- jah, ha -- le -- lu -- jah, praise ye the Lord. Ha -- le -- lu -- jah, praise, praise the Lord. } sopranoNotes = { \relative gs' { \set Staff.instrumentName = "Treble" \clef "treble" gs2 fs | gs1 | R1 | b2 b | b2. b4 | e2 cs4 b | b2 gs4 gs | cs2( b) | b2 a4 gs8([ b]) | a2 a | b2 b4( cs) | ds( e) fs2 | b,2 b4 b | b1 | R1*3 | r2 b2 | % His name shall be called b2 e4 ds | cs4.( b8 a2) | b4 gs a( cs) | b4 b b2 | b4 b b b | b4 b e ds | % mighty mighty God e2. cs4 | b4 b8([ cs]) ds4 ds | e4( b) b b | b8.([ cs16 b8 a] b4) b | b2. b4 | e4 b gs e | gs4 b e e8([ ds]) | cs4 b b b | b2 b2 | b2 b2 | % Shiloh R1 | e2 b4( cs8[ ds]) | e1 | b2 b4. b8 | b4. b8 b4 e | ds4( cs8[ ds] b4) b4 | b4. b8 b4 b | cs2 b4( as) | b4. b8 b2 | % righteousness, b2 b | % prince of peace b2. b4 | e4 b8\noBeam a gs4 e | gs4 b e e | b2 b | b4 e e2 | b2 b | % Shiloh b4 e e2 | b4 gs cs b | b2 b | fs'2 ds | e1 | b2 b | b1 | R1 | R2 | R2*3 | gs8 b cs ds | % Righteousness and truth e4. b8 | cs8([ a16 cs b8]) a | gs8 e4. | r2 | r1^\markup { \addBLigs Affetuoso } g2 | % Now is the hour g1 fs2 | g1 b2 | b1 a2 | b4.( a8 g2) g | g2( a) b | b1 b2 | c1 b2 | b1 r2 | d2 e d | c2( b) b | c1 b2 | b1 b2 | b1 b2 | b4.( a8 g2) a | % on us, let him die g2( a) b4( c) | d1 r2 | b1 r2 | d1 r2 | e1 | r2 b2 | b1 b2 | b4.( c8 d2) b | a4( b c2) b | b1 r2 | g1 r2 | b1 r2 | b1 r2 | a4( b c2) b2 | b1. | R1 | c2 c4 c | % Death and despair d1 | a2 a4 a | b1 a2 | b1 b2 | g1 a2 | b1 a2 | a1 | a2 a4 a | b1 | b2 b4 a | b1 | c2 c4 b | % and bloody sweat c1 | e2 e4 b | c1 | r2 d2 | d2 d4. c8 | b1 | r2 g2 | d'2 b4. b8 | b1 | r2 g2 | b2 b4. a8 | g1 | c1 | b1 | b1 | R1 | d2^\markup { Forte } d4 d | % hark how he groans c1 | d2 d4 d | a2. b4 | b2 c | b4( c d) c | b2. a4 | a1^\markup { Piano } r2 | c1 r2 | d4.( c8 b4) c | d4.( c8 b4) b | b1 | << { R1 } {\once \override Rest #'transparent = ##t r1^\markup { Beat crotchets } } >> | gs4 b8 b b4. b8 | % now is the hour cs4 b b2 | b4 e8 cs b4.^\markup { Vigoroso } b8 | b4 e ds4. ds8 | ds8.([ cs16 b8]) cs16([ ds]) e4 b | b4 e ds2 | b4 b8 cs ds4 cs | b4 b b2 | r2. r2 b4 | % Old Adam b4 gs gs gs2 gs4 | a4 a a a2 b4 | b4 b b b fs' ds | e4 e e e2 b4 | b4 b b b b b | b4 b cs ds2 e4 | % Saviour and King b4 b cs ds e fs^\markup { \vcenter * } | e4 e^\markup { \vcenter * } e e2 e4 | ds4 ds ds ds2 b4 | b4 gs cs b b b | b4^\staccatissimo b^\staccatissimo b^\staccatissimo b2.^\staccatissimo | gs4( b) b b( a) gs | % O that men would fs4( e) fs gs2. | R1. | b2 b4 b2. | b2 a4 gs2. | R1. | cs4( b) as b2.( | % Praise the Lord b2. b2. ) | cs2 b4 b2. | gs4( b) b b( a) gs | cs4( b) as b2. | gs4( b) b b2 b4 | b2 b4 b2. | b2.( b2. | % Praise the Lord cs2. e2. | e2.) b2. | b2. ~ b2. | \repeat volta 2 { r2^\markup { Minum beating } b2 | b2 gs | gs2 gs | a2 b | b2 gs | a2 gs | gs2 gs | b2 b | a2 gs | a2 b | b1 | } } } sopranoLyrics = \lyricmode { \keepWithTag #'soprano \commonLyrics } altoNotes = { \relative e' { \set Staff.instrumentName = \markup "Counter" \clef "treble" e2 ds | e1 | R1 | gs2 fs | gs2. gs4 | e4( gs) a fs | gs2 e4 e | a2( fs) | gs2 fs4 e | e2 fs | gs2 fs | gs2 a4( fs) | gs4( e) ds4 ds | e1 | R1 | R1 | r2 r4 fs4 | % His name shall be called gs2 gs4 gs | fs4. fs8 gs4. fs8 | e2 fs4 fs | e4 e e a | gs fs gs2~ | gs2 gs | e2 e4 fs | % name shall be called gs4.( fs8 e4) a8([ gs]) | fs4 fs fs2 | gs4. gs8 gs2 | gs2 gs4. gs8 | gs4. fs8 e2 | e2 gs | gs1 | r2 gs2 | % God with us fs2 gs2~ | gs2 gs | fs4. fs8 e4. e8 | e2 e4( fs) | gs2 gs | gs2 fs4. fs8 | gs4. gs8 gs4 b | b2 fs | gs4. gs8 gs2 | R1 | R1 | r2 e2 | % the seed of the woman e4 e8\noBeam fs gs4 gs | gs4 e e e | e2 gs4. gs8 | gs4. gs8 gs2 | e2 gs2 | gs1 ~ | % Peace gs1 | gs4 e a fs | gs2 gs | a2 gs | gs1 | gs2 fs | gs1 | R1 | R2 | R2*8 | r1 e2 | % Now is the hour e1 d2 | e1 g2 | g1 fs2 | g1 e2 | d1 e2 | d1 e2 | e1 ds2 | e1 r2 | fs2 g g | % The Roman speaks g1 e2 | e2( a) fs | g1 g2 | e2( fs) g | fs2( e) d | % on us d4.( e8 fs2) fs | g1 r2 | g1 r2 | b1 r2 | b1 | r2 g2 | e2( fs) g | fs1 e2 | e1 ds2 | e1 r2 | e1 r2 | g1 r2 | g1 r2 | e1 ds2 | e1. | R1 | e2 e4 e | % Death and despair fs1 | fs2 fs4 fs | g1 a2 | g1 fs2 | e1 a2 | g1 e2 | fs1 | fs2 fs4 fs | g1 | g2 g4 a | g1 | a2 a4 b | % and bloody sweat a1 | g2 g4 g8([ fs]) | e1 | r2 fs | g2 fs4. g8 | e1 | r2 e4.( g8) | fs2 e4. fs8 | d1 | r2 e2 | e2 ds4. ds8 | e1 | e1 | ds1 | e1 | R1 | fs2 fs4 fs | % Hark how he groans e1 | fs2 fs4 fs | fs2. fs4 | e4( fs8([ g]) a4( g) | fs2. g4 | g2. e4 | fs1 r2 | g1 r2 | fs2. fs4 | g4.( fs8 e4) ds^\markup { \vcenter * } | e1 | R1 | e4 gs8 fs gs4. b8 | % Now is the hour a8([ gs]) fs4 gs2 | gs4 b8 a gs4. fs8 | gs4 b b4. b8 | b4. e,8 gs4. fs8 | gs4 b b2 | gs4 fs8 fs gs4 fs | e4 2 | r2. r2 e4 | e4 e e e2 e4 | fs4 fs fs fs2 fs4 | gs4 gs gs gs a gs | gs4 gs gs gs2 fs4 | gs4 gs gs fs fs gs | gs4 gs fs gs2 gs4 | % Savior and King gs4 gs fs gs b a | gs4 gs gs gs2 gs4 | b4 b b b2 fs4 | gs4 b e, e gs fs | gs4\staccatissimo gs\staccatissimo gs\staccatissimo gs2.\staccatissimo | R1. | R1. | e4( gs) gs gs2 fs4 | % O that men e2 e4 ds2. | e2 e4 e2. | gs2 fs4 e( fs) gs | fs4( e) ds e2. | % Praise the Lord e4( gs) gs gs( fs) gs | a4( gs) fs gs2.( | gs2. gs2.) | e2 fs4 gs2. | e4( gs) gs gs( fs) gs | a4( gs) fs gs2. | gs2.( gs | % Praise the Lord e2. e | a2.) fs2. | gs2.~ gs | \repeat volta 2 { r2 gs2 | fs2 e | e2 e | fs2 gs | fs2 e | fs2 ds | e2 e | fs2 gs | fs2 e | fs2 fs | gs1 | } } } altoLyrics = \lyricmode { \keepWithTag #'alto \commonLyrics } tenorNotes = { \relative b { \set Staff.instrumentName = "Tenor" \clef "treble_8" b2 b | b1 | R1 | e2 ds | e2. ds4 | cs4( b) cs ds | e2 b4 b4 | e2( ds) | e2 cs4 b | cs2 cs | e2 ds4( cs) | b2 a | gs2 fs4 fs | e1 | R1 | % His name shall be called r2 b'2 | e2 e4 ds | e2. e4 | ds4. cs8 b2 | cs4. cs8 cs4 cs | b4 b cs cs | ds4 ds e2( | e2 e2) | r2 b2 | % the everlasting father b4 b b e | ds2 b4 b | b4( e2) ds4 | e2. b4 | e4 b gs e | gs4 b e e | e4 b b cs8([ ds]) | e2 e2 | % Omega R1 | e2 e4. e8 | % Shiloh Emanuel ds4. cs8 b2 | cs2 b4( as) | b1 | e2 ds | e2. e4 | fs( e) ds2 | e4. e8 e2 | R1 | r2 r4 b4 | % the seed of the woman e4 b8\noBeam a gs4 e | gs4 b e e | b2 b4. b8 | b4. b8 b2 | b4 e e2 | b2 b | b4 e e2 | % Son of God b2 b | e4 b e ds | e2 e | cs2 bs | cs1 | b4( e) ds2 | e1 | R1 | b4 cs8 ds | % Mercy and truth e4. cs8 | ds8([ b16 ds cs8]) b16([ as]) | b8 b4. | R2*5 | r1 b2 | % Now is the hour g1 b2 | b1 e2 | d1 c2 | b1 b2 | b2( a) g | fs1 g4 ( a8[ b]) | a2( g) fs | e1 r2 | b'2 b b | % The Roman speaks e1 g2 | e1 ds2 | e1 e2 | g2( fs) e | d4.( c8 b2) a | % on us b4.( c8 d4 c) b( a) | b1 r2 | e1 r2 | fs1 r2 | g1 | r2 e2 | g2( fs) e | d4.( c8 b2) g4( a8[ b]) | c4( b a g) fs2 | e1 r2 | b'1 r2 | e1 r2 | d1 r2 | c4( b a g) fs2 | e1. | R1 | a2 a4 a | % Death and despair a1 | d2 d4 d | d1 d2 | e1 d2 | b1 d2 | d1 cs2 | d1 | d2 d4 d | d1 | d2 d4 d | e1 | e2 e4 e | % and bloody sweat fs1 | b,2 b4 b | a1 | r2 d2 | b2 a4. b8 | g1 | r2 c2 | a2 g4. a8 | fs1 | r2 b2 | g2 fs4. g8 | e1 | a1 | fs1 | e1 | R1 | a2 a4 a | % Hark how he groans a1 | a2 a4 a | d2. fs4 | g4( e8.[ g16]) fs4( e) | d4( c8.[ d16] b4) e | d2. cs4 | d1 r2 | e1 r2 | d2. c4 | b4.( a8 g4) fs | e1 | R1 | b'4 e8 ds e4. gs8 | % Now is the hour fs8([ e]) ds4 e2 | e4 gs8 fs e4. ds8 | e4 gs fs4. fs8 | fs8.([ e16 ds8]) cs b4( e8) ds | e4 gs fs2 | e4 ds8 cs b4 a | gs4 fs e2 | r2. r2 e4 | % Old Adam gs4 b b b2 b4 | cs4 cs cs cs2 ds4 | e4 e e ds cs b | cs4 cs cs cs2 ds4 | e4 e e fs ds b | e4 ds cs b2 b4 | % Savior and King e4 ds cs b gs a | b4 e e e2 e4 | fs4 fs fs fs2 ds4 | e4 ds cs b e ds | e4\staccatissimo e\staccatissimo e\staccatissimo e2.\staccatissimo | R1. | b2 b4 b2. | % O that men b4( e) e e( ds) cs | b4( a) gs fs2. | gs2 a4 b2. | b2 cs4 b2. | R1. | b4( e) e e( ds) e | % Praise him for fs4( e) ds e2. ( | e2. e2. ) | e2 ds4 e2. | b4( e) e e( ds) e | fs4( e) ds e2. | e2.( ds2. | % Praise the Lord cs2. b | cs2. ) ds2. | e2.~ e | \repeat volta 2 { r2 e2 | ds2 cs | b2 b | cs2 e | ds2 cs | cs2 bs | cs2 e | ds2 e | cs2 b | cs2 ds | e1 | } } } tenorLyrics = \lyricmode { \keepWithTag #'tenor \commonLyrics } bassNotes = { \relative e { \set Staff.instrumentName = "Bass" \clef "bass" e2 b | e1 | R1 | e2 b | e2. gs4 | a4( gs) fs b, | e2 e4 gs | a2( b) | e,2 fs4 gs | a2 fs | e2 b'4( a) | gs2 fs | e2 b4 b | e1 | r2 b2 | % His name shall be called e2 e4 ds | e2. b4 | e4. e8 e2 | b'4. a8 gs2 | a4. gs8 fs4 fs | gs4 e a fs | b4 b, e2~ | e2 e2 | e4 e e b | % everlasting father e2 gs4 a | b2 b, | e1( | \repeat unfold 4 { e1 } e1) | b2 e4 e | % the great I am e4 e e8([ fs]) gs([ a]) | b4. a8 gs4 e | a2 gs4( fs) | e2 e | e2 b4. b8 | e4. e8 e8([ fs]) gs([ a]) | b2 b, | e4. e8 e4 e | a2 gs4( fs) | e4. e8 e2 | % righteousness e2 e | e1( | \repeat unfold 5 e1 | e1) | e4 gs a b | % equal with the Father e,2 e | fs2 gs | cs,1 | e2 b | e1 | R1 | R2 | R2*8 | r1 e2 | % Now is the hour e1 b2 | e1 e2 | g1 a2 | g4.( fs8 e2) e2 | g2( fs) e | b1 e2 | a,1 b2 | e1 r2 | b2 e g | % The Roman e1 e2 | 1 2 | e1 e2 | e2( ds) e | b2( e) fs | % on us g2( d) d | 1 r2 | e'1 r2 | b'1 r2 | e,1 | r2 e2 | e2( ds) e | b1 e2 | a,1 b2 | e1 r2 | e1 r2 | e1 r2 | g1 r2 | a4( g fs e) b2 | e1. | R1 | a,2 a4 a | % Death and despair d1 | d2 d4 d | g1 fs2 | e1 b2 | e1 fs2 | g1 a2 | d,1 | d2 d4 d | g1 | g2 g4 fs | e1 | a2 a4 g | % and bloody sweat fs1 | e2 e4 e | a,1 | r2 d2 | g2 d4. d8 | e1 | r2 e2 | d2 e4. e8 | b1 | r2 e2 | e2 b4. b8 | c1 | a1 | b1 | 1 | R1 | d'2 d4 d | % Hark how he groans a1 | d2 d4 d | d2. d4 | e2 a | b4( a g) e | g2. a4 | d,1 r2 | c1 r2 | b2. a4 | g2 b | e1 | R1 | e4 e8 b e4. e8 | % Now is the hour 4 e2 | e4 e8 fs gs8.([ fs16 e8]) b | e4 e 4. b'8 | b4. a8 gs8.([ fs16 e8]) b | e4 e 2 | e4 b'8 a gs4 a | b4 b, e2 | r2. r2 e4 | % Old Adam e4 e e e2 gs4 | fs4 fs fs fs2 b,4 | e4 e e e fs gs | cs,4 cs cs cs2 b4 | e4 e e b' b gs | e4 gs a gs2 e4 | % Savior and King e4 gs a gs e fs | e4 e e e2 e4 | 4 2 b4 | e4 gs a gs e | e4\staccatissimo e\staccatissimo e\staccatissimo e2.\staccatissimo | e4( gs) gs gs( fs) e | % O that men b4( cs) ds e2. | r2 r4 e4( gs) a | gs4( fs) e b2 b4 | e2.~ e2. | e4( gs) a gs( fs) e | a4( gs) fs e2. ( | % -- a -- ting power e2. e2. ) | a2 b4 e,2. | e4( gs) gs gs( fs) e | a4( gs) fs e2. ( | e2. e2. ) | a2 b4 e,2. | e2.( gs | % Praise the Lord a2. fs2. | a2.) b | e,2.~ e | \repeat volta 2 { r2 e2 | b2 cs | e2 gs | fs2 e | b cs | fs2 gs | cs,2 cs | b2 e | fs2 gs | fs2 b, | 1 | } } } bassLyrics = \lyricmode { \keepWithTag #'bass \commonLyrics } engravedLine = \markup { \with-url %% todo: lilypond.org/music-engraving #"http://lilypond.org/web/" \line { %% 2014 = em dash. #(ly:export (format "Music engraving by LilyPond ~a~awww.lilypond.org" (lilypond-version) (ly:wide-char->utf-8 #x2014) )) } } \header { composer = \markup { \larger { \bold \italic "William Billings" "(1746-1800)" }} opus = \markup { \larger { \italic { The Psalm-Singer’s Amusement } (1781) } } title = \markup { \larger \medium \italic "Who Is This That Cometh From Edom?" } poet = \markup { \larger "“Taken From Sundry Scriptures”" } copyright = \markup { \center-column { "Edition copyright © 2009 by Michael Lauer. " "This edition may be freely distributed, duplicated, performed, or recorded." } } tagline = \markup { \column { \line { Counter, m. 138: Sharp sign is unclear in original. } \line { Treble, m. 156: F-sharp is editorial; original has only five beats. } \line { Treble, m. 157: Original has D-sharp at beats 2, 3, 4. } \line { m. 178: Repeat sign appears over second beat in original. } " " \fill-line { "" \engravedLine "" } } } headerMarkup = \markup { "Billings:" \italic "Who Is This That Cometh From Edom?" } } theMusic = \context ChoirStaff = choir << \new Staff { \context Voice = sopranoNotes << \global \sopranoNotes >> } \lyricsto sopranoNotes \new Lyrics { \sopranoLyrics } \new Staff { \context Voice = altoNotes << \global \altoNotes >> } \lyricsto altoNotes \new Lyrics { \altoLyrics } \new Staff { \context Voice = tenorNotes << \global \tenorNotes >> } \lyricsto tenorNotes \new Lyrics { \tenorLyrics } \new Staff { \context Voice = bassNotes << \global \bassNotes >> } \lyricsto bassNotes \new Lyrics { \bassLyrics } >> \score { \theMusic \layout { \context { \Voice \override TextScript #'font-size = #1 %\override TextScript #'Y-extent = #'(0 . 1.5) \override TextScript #'font-shape = #'italic \override TextScript #'staff-padding = #2.0 } } } \score { \unfoldRepeats \theMusic \midi { } }